Posts Tagged ‘show’
My work One Swimming Pool will be on view in Staged City at Arti & Amicitiae in Amsterdam. The show is curated by Laura van Rijs and Petra Noordkamp and includes work by Jan Adriaans, Maria Barnas, Robbie Cornelissen, Pawel Jaszczuk, Lucas Lenglet, Petra Noordkamp, Paulien Oltheten, Pablo Pijnappel, Diana Scherer, Arjan van Helmond, Sarah van Sonsbeeck, Batia Suter, Rogier Taminiau and Elisabeth Tonnard.
The exhibition runs from May 24 till June 22. Opening night: May 23, 8PM – 10PM.
Upcoming: on April 12 I’ll have a two minute exhibition at Visual Studies Workshop in Rochester, NY, timed during VSW’s Annual Auction. Click on the image to read the proclamation.
From March 5 – April 27, 2013
At 980 Madison Avenue, New York City
From the press release:
Gagosian Gallery is pleased to present an exhibition of Ed Ruscha’s legendary artist books together with books and works of art by more than 100 contemporary artists that respond directly and diversely to Ruscha’s original project. Organized by Bob Monk, “Ed Ruscha Books & Co.” has been drawn from private collections, including Ruscha’s own. Most of the books are installed so that viewers can interact with them and browse their pages.
Inspired by the unassuming books that he found on street stalls during a trip to Europe, in 1962 Ruscha published his first artist book, Twentysix Gasoline Stations under his own imprint, National Excelsior Press. A slim, cheaply produced volume, then priced at $3.50, Twentysix Gasoline Stations did exactly what its title suggests, reproducing twenty-six photographs of gasoline stations next to captions indicating their brand and location. All of the stations were on Route 66, the road mythologized by the eponymous TV series and in John Steinbeck’s The Grapes of Wrath. Ruscha’s book traveled more or less west to east, from the first service station in Los Angeles, where he moved as a young man, back to Oklahoma City, where he grew up.
Initially, the book received a poor reception, rejected by the Library of Congress for its “unorthodox form and supposed lack of information.” However, during the sixties it acquired cult status, and by the eighties it was hailed as one of the first truly modern artist’s books. Ruscha followed up Twentysix Gasoline Stations (1962) with a succession of kindred publications, including Some Los Angeles Apartments (1965), Nine Swimming Pools and a Broken Glass (1968), and Real Estate Opportunities (1970), all of which combined the literalness of early California pop art with a deadpan photographic aesthetic informed by minimalist sequence and seriality.
As the prolific and playful examples in the exhibition attest, Ruscha’s artist books have proved to be deeply influential, beginning with Bruce Nauman’s Burning Small Fires (1968), for which Nauman burned Ruscha’s Various Small Fires and Milk (1964) and photographed the process. More than forty years later, photographer Charles Johnstone relocated Ruscha’s Twentysix Gasoline Stations in Cuba, producing the portfolio Twentysix Havana Gasoline Stations (2008). The most recent homage is One Swimming Pool (2013) by Dutch artist Elisabeth Tonnard, who re-photographed one of the photographs from Ruscha’s Nine Swimming Pools and a Broken Glass (1968) and enlarged it to the size of a small swimming pool, consisting of 3164 pages the same size as the pages in Ruscha’s original book. The pages of this ‘pool on a shelf’ can be detached to create the life-size installation. Between these early and recent examples are a wealth of responses to Ruscha’s ideas by artists from all over the world, gathered here in this celebratory exhibition:
ABC Artists’ Books Cooperative, Noriko Ambe, Edgar Arceneaux, Eric Baskauskas, Luke Batten / Jonathan Sadler (New Catalogue), Erik Benjamins, Victoria Bianchetti, Doro Boehme, Jeff Brouws, Denise Scott Brown, Wendy Burton, Stephen Bush, Corrine Carlson, Dan Colen, Julie Cook, Jennifer Dalton, Bill Daniel, Claudia de la Torre, Jen DeNike, Eric Doeringer, Stan Douglas, Harlan Erskine, Frank Eye, Kota Ezawa, Robbert Flick, Jan Freuchen, Jochen Friedrich, Thomas Galler, Anne-Valérie Gasc, Steve Giasson, Simon Goode, Oliver Griffin, Daniel S. Guy, Dejan Habicht, Marcella Hackbardt, Sebastian Hackenschmidt, Karen Henderson, Mishka Henner, Kai-Olaf Hesse, Taro Hirano, Marla Hlady, Dominik Hruza, Steven Izenour, Sveinn Fannar Jóhannsson, Taly and Russ Johnson, Charles Johnstone, Rinata Kajumova, Henning Kappenberg, Jean Keller, Shohachi Kimura, Julia Kjelgaard, Joachim Koester, Sowon Kwon, Tanja Lažetic, Gabriel Lester, Jonathan Lewis, Jochen Manz, Michael Maranda, Scott McCarney, Mark McEvoy, Jerry McMillan, Daniel Mellis, Martin Möll, Dan Monick, Jonathan Monk, Simon Morris, Audun Mortensen, Brian Murphy, Toby Mussman, Maurizio Nannucci, Bruce Nauman, John O’Brian, Stefan Oláh, Performance Re-Enactment Society, Michalis Pichler, Tadej Pogačar, Susan Porteous, James Prez, Clara Prioux, Robert Pufleb, Joseph Putrock, Jon Rafman, Achim Riechers, David John Russ, Mark Ruwedel, Tom Sachs, Joachim Schmid, Andreas Schmidt, Jean-Frédéric Schnyder, David Schoerner, Yann Sérandour, Travis Shaffer, Gordon Simpson, Paul Soulellis, Tom Sowden, Kim Stringfellow, Derek Stroup, Derek Sullivan, Yoshikazu Suzuki, Chris Svensson, Eric Tabuchi, Elisabeth Tonnard, John Tremblay, Marc Valesella, Wil Van Iersel, Louisa Van Leer, Robert Venturi, Reinhard Voigt, Alex Von Bergen, Emily Wasserman, John Waters, Henry Wessel, Keith Wilson, Charles Woodard, Theo Wujick, Mark Wyse, Hermann Zschiegner
“Ed Ruscha Books & Co.” will coincide with the publication of MIT Press’s Various Small Books: Referencing Small Books by Ed Ruscha (2013), which documents ninety-one of the books inspired by Ruscha’s own, reproducing covers and sample layouts from each, along with a detailed description. Various Small Books… also includes selections from Ruscha’s books and an appendix listing most of the known Ruscha book tributes.
This book is a portable swimming pool that can be put on a bookshelf. It is based on Ed Ruscha’s book Nine Swimming Pools and a Broken Glass from which one swimming pool was photographed. If the sheets are carefully removed from the book and laid down next to each other, this swimming pool can be installed at the size of a small swimming pool. The book was bound using an adhesive that allows the sheets to be taken out. Doing so will of course destroy the book in its bound form.
Published in an edition of nine copies and an artist proof by Elisabeth Tonnard in Leerdam, The Netherlands, 2013. Installation size ± 648 x 648 cm. Book size 14.8 x 18.8 x 19 cm. Full color digital print, 3164 pages, plus inserted sheet with overview and instructions for installation. See more images.
On view at the Gagosian Gallery, Ed Ruscha Books & Co, 980 Madison Avenue, New York City, March 5 – April 27 2013. The work can also be purchased there.
Thanks to current and past members of ABC Artists’ Books Cooperative and to David Mount and Johan Velter for corresponding with me about this project. Special thanks to Chris Burnett, Michael Maranda and Wim Kamsteeg for helping me overcome the technical difficulties.
If ever there was a book to dive into, this would be it. Mishka Henner
Click on any image below to see the image gallery showing production shots of a smaller black and white maquette.
I’m working on an Ed Ruscha inspired book installation that will be shown at the upcoming show ‘Ed Ruscha Books & Co’ at the Gagosian gallery in NYC (Madison Ave branch; documentation and artist proof portfolio will be shown).
The pictures below are production shots of a smaller B&W maquette. The final size will be 6.3 x 6.3 meters.
The project is based on Ruscha’s book Nine Swimming Pools and a Broken Glass from 1968. One of the pictures from that book was photographed and subsequently enlarged to the size of a small swimming pool. The pool consists of 1575 sheets, or 3150 pages. The size of these sheets is based on the size of Ruscha’s book. A small edition is planned of a set of twelve books containing all sheets in full-colour: One Swimming Pool in Twelve Volumes. The idea is to have a swimming pool that can be kept in a bookcase; also sheets can be taken out and used to recreate the installation.