Posts Tagged ‘blank’
Exhibition at Maison Julien Gracq
Maison Julien Gracq presents the exhibition Archipels, from the collection of Alain Le Provost.
Through conceptual and poetic approaches, sometimes aiming at the immaterial, the works in the exhibition revolve around notions of erasure, transformation, and experiences of limits, opening up new perspectives.
A statement in French by Sandra Doublet can be accessed here (pdf).
Works by Jérémie Bennequin, Olivier Debré, Fred Deux, Damien Dion, Marcel Duchamp, Sharka Hyland, Francis Picabia, Claude Rutault, Elisabeth Tonnard, Christophe Viart, Emmanuelle Villard.
Maison Julien Gracq, Saint-Florent-Le-Vieil, 49410 Mauges-Sur-Loire, France.
April 8 – August 30. Opening reception April 11 at 14.00.
a minima
The exhibition a minima, curated by Didier Decoux, will open in Brussels next week. It looks like it will be a very interesting exhibition about blank pages in books, empty books, books with little content, self-referential books. The curator’s statement is copied below, in Dutch (because it is worth copying).
Museum Wittockiana, March 20 – September 27. Opening reception March 19 at 18.00.
My work The Book of the World will be on view.
a minima brengt werken samen die het zwijgen raken en de leespraktijk verschuiven.
Ontstaan uit een privécollectie en aangevuld met enkele bruiklenen, doorkruist de tentoonstelling vrijelijk honderdvijftig jaar uitgeefgeschiedenis, van 1876 tot vandaag.
Stille voorlopers — Mallarmé, Duchamp — zijn aanwezig. Maar vooral het conceptuele gebaar ontvouwt zich hier, dat in de tweede helft van de 20e eeuw opduikt en wordt voortgezet binnen de concrete poëzie en het kunstenaarsboek.
Te zien zijn onder meer werken van Amélie de Beaufort, Barbara Schmidt-Heins, Bernard Villers, Bruno Munari, Daniel Gustav Cramer, Elisabeth Tonnard, Elsa Werth, Giovanni Anselmo, George Maciunas, herman de vries, Irma Blank, Jiří Valoch, Jonathan Monk, John Cage, José Luis Castillejo, Kimsooja, Marcel Broodthaers, Micah Lexier, Michel François, Monika Droste en Guy Rombouts, Nathalie Czech, Peter Downsbrough, Raphaël Van Lerberghe, Sara MacKillop, Simon Cutts…
Hier vertelt het boek niet:
het suggereert,
het houdt in,
het biedt weerstand.
Elke vorm, in haar soberheid, opent een ruimte. Lezen wordt zo een aandachtige, ontroerende en kritische – soms zelfs een subversieve – daad.
The End of the World
“A child without mother or father, with no brothers or sisters, who belonged to no one and had no home anywhere, came to the idea of running off, all the way until the end of the world.” Robert Walser, from ‘The End of the World’
My “Robert Walser book” (as some of you may have come to know it) has finally been finished and copies are now ready to be shipped. Both conceptually and practically it was a book journey full of detours and stops and restarts. Starting with an observation at the site of Robert Walser’s grave, after retracing his last walk – or perhaps already with a Robert Walser storybook I received as a child – it did take a while to get to the end of the world (not to worry: things are simpler there).
The End of the World is an artist book in literary format about Robert Walser’s final walks and silences. The book transports the reader to the last 23 years of Walser’s life, which were spent at a psychiatric clinic in Herisau, Switzerland. From his arrival there in 1933 to his death in the snow on Christmas Day 1956, Walser ceased writing. On Sundays he would take long walks, a contrast to the weekdays filled with sorting tin foil at the institution’s workshop and making crossword puzzles in the common room.
The book draws on excerpts from Walser’s asylum file and on photographs that I took at the graveyard in Herisau where Walser is buried. The photographs show scenes depicted on the gravestones surrounding Walser’s grave. The dreamy landscapes and paths encountered there seemed like a continuance of Robert Walser’s walk to me. The layout of the book mirrors the repetitive nature of Walser’s days, weeks, years at the clinic – and blank space is treated as a meaningful element.
The book concludes with an afterword, overview of sources and biographical sketch.
The initial research was made possible by a residency at the Jan Michalski Foundation, in Montricher, Switzerland. The book production was made possible in part by grants from the Jaap Harten Fund and from the Mondriaan Fund, both in Amsterdam.
The book is self-published in an edition of 350 copies. It is printed in duotone offset and has a cold-glue binding. Printing and binding were done at Wilco Art Books in The Netherlands. 208 pages, size 11,5 x 18 cm, 23 photographs. ISBN: 9789080788435.
Priced at € 37,50. Shipping is € 5,- in The Netherlands, € 8,50 elsewhere. Order here or by contacting me, also of course with your questions and comments.
Further info on this page.
The Power of the Powerless
Not a book but a gesture.
In my work I have explored white spaces since 2003 as a method to suggest rather than erase. Even if the suggestion was that the omnipresent Plan may be empty.
I have been struck by the recent street protests in China in which blank sheets of paper are used to defy censorship. The sheets serve effortlessly to indicate everything that should be expressed. Something so small, simple, and yet universal.
The title of The Power of the Powerless is a reference to Václav Havel’s essay of that same title. It speaks of the power that those who are not in power have through simply no longer living (as if) in obedience to the system. No longer “doing” the lies. Something relevant not only in totalitarian states but wherever system tries to dominate life and replace actual experience. The blank of this paper can never be totally contained by those who want to control it.
Published in Leerdam, The Netherlands, December 2022.
Free to enjoy as an idea.
For those who find themselves inclined to purchase:
Edition limited to 40 numbered copies.
12 x 19 cm cover, handmade, inkjet printed, with in it a loose blank A4 sheet.
Priced at € 50,- plus shipping. Order through the webshop or by email. Please note orders will be taken in December but shipped out in January. If you need to get it sooner please email me and we can arrange that.
Elisabeth Tonnard 