Posts Tagged ‘photography’
Two of my works will be on view in the exhibition Il Libro d’Artista Come Mappa, curated by Jan van der Donk at Spazio Labo in Bologna.
The exhibition draws attention to the way artists use and challenge photography as a medium, with a focus on how ‘the grid’ was used as a favorite form of representation to create ‘inventories’, ‘collections’, ‘albums’, and ‘atlases’. Artists include John Baldessari, Bernhard and Hilla Becher, Christian Boltanski, Marcel Broodthaers, Jan Dibbets, Sol LeWitt, Sigmar Polke, Gerhard Richter, Michael Snow, Larry Sultan + Mike Mandel, and Franco Vaccari. My works Interior Monologue and The Kingdom will be on view.
The show runs from January 23 to February 5. For more information click here.
Two of my works will be on view at the Nederlands Fotomuseum in the exhibition Quickscan NL #2 which traces recent developments in Dutch photography.
The Library consists of a series of eight pigment ink prints that zoom in on books in reproductions of paintings that were dramatically lost in the final days of WW2. Song of Myself is a series of 56 prints anachronistically showing Facebook updates by poets from the American Renaissance.
The exhibition is curated by Frits Gierstberg and showcases works by Laurence Aëgerter, Gwenneth Boelens, Jan Dirk van der Burg, Anne Geene, Jan Hoek, Stephan Keppel, Kasia Klimpel, Sjoerd Knibbeler, Ola Lanko, Willem Popelier, Jannemarein Renout, Jan Rosseel, Collectief Salvo, Marleen Sleeuwits, Batia Suter, Elisabeth Tonnard and Mariken Wessels.
Quickscan NL #2 runs from January 24 to May 8. The opening is on January 23, from 5-7 PM.
3072 AR Rotterdam
On January 16 my exhibition ‘The Library’ opens at Galerie Block C in Groningen. The opening is at 4 PM and the show will run until February 27.
The images in it are tiny selections from pictures in a catalogue documenting the losses of the Gemäldegalerie at the Kaiser Friedrich Museum, the present-day Bode Museum, in Berlin during and after World War II. The Gemäldegalerie lost over four hundred paintings, the sculpture collection at the museum lost about a third of its holdings. Photographic documentation and plaster casts remain as ghostly echoes of what was once there. The majority of losses occurred in the days just before and after the end of the war in May 1945 when two devastating fires in the Friedrichshain flak tower destroyed most of the major works of art that had been stored there for safekeeping. The cause of the fires was never explained and has become the subject of legend. Trapped in there were the paintings these images refer to. Out of the smoke we think up this library of unknown books.
In the exhibition at Galerie Block C there will also be a selection of my artist’s books that appropriate literary works on view, as well as the first trials of a new project titled The Death of the Poet.
Fotografie Magazine, 6, November/December 2014, contains an interview about my work by Ton van Vroonhoven as well as a 6 page portfolio. The magazine is in Dutch. If you should come across it, note that the layout of the images on page 21, photos from my book Two of Us, is not correct. There shouldn’t be any black around the images.
My new limited edition bookwork Wiederholungszwang will be launched later this week at Offprint Paris. Wiederholungszwang, or repetition compulsion, is a term used for repetitive behavior in which a person repeats certain traumatic events. The book is made up out of a single image, a found lantern slide, that becomes a scene of repetition when it is fragmented, folded, repeated and mirrored.
The edition is limited to 28 numbered copies that are inkjet printed in b&w, and handbound in a stab binding with folds on the foredge.
The Photographer’s Playbook came out, published by Aperture. It is a very enjoyable and well executed collection of photography assignments, ideas, projects and anecdotes from a huge variety of artists, edited by Jason Fulford and Gregory Halpern. I contributed a conceptual piece cloaked as an assignment. It is titled ‘The Death of the Photographer’.