Posts Tagged ‘publication’
A new work titled ‘Geldermalsen riots’, consisting of two images, is published in Printed Web #4, to be launched in Berlin next week. Above is a view of one of the images. The publication has a broadsheet size and is constructed of loose sheets folded into each other. Every participating artist (see below) worked with the two sides of one sheet only.
The background of the piece: On December 16, 2015 there were riots in Geldermalsen, a village in The Netherlands close to where I live. The rioters wanted to disturb a local council meeting where plans for a big center for refugees were discussed. After the riots the police asked people to send in any pictures they might have of this evening. A series of these was placed on the police website. Faces were made partly unrecognizable and an unusual strategy was announced: anyone who recognized themselves could come forward now, or else their pictures would be shown unblurred on tv later. The strategy worked, 9 out of 10 came forward. The pictures are now gone from the website.
Printed Web #4 presents projects by Wolfgang Plöger, Lorna Mills, Molly Soda, Travess Smalley, Angela Genusa, Eva and Franco Mattes, Anouk Kruithof, Elisabeth Tonnard, and Christopher Clary, with a text by Rhizome artistic director Michael Connor (“Folding the Web”). Each artist contributed work that responds to the concept of privacy in relation to contemporary self-identity and public visibility. The 40-page print-on-demand newsprint publication is co-published by Paul Soulellis with the International Center of Photography Museum on the occasion of “Public, Private, Secret” (June 2016 – January 2017), the inaugural exhibition at the museum’s new location at 250 Bowery, organized by curator-in-residence Charlotte Cotton.
Printed Web #4 will launch at Miss Read, Berlin Art Book Fair at Akademie der Künste, Berlin (June 10–12) and be on display at ICP during its opening week (week of June 20).
Annette Gilbert from the Freie Universität Berlin edited a new anthology on books that write through existing literature. Reprint: Appropriation (&) Literature is presented as a bilingual German-English edition and includes good photographs of the books discussed.
From the publisher: “Since the 1960s, writers have radically challenged the notion of originality and creativity in literature. They stopped writing new texts for their books and instead drew upon pre-existing books: canonical texts of world literature or intellectual history are transcribed by hand, edited, altered, alphabetically arranged or simply copied and republished under one’s own name. By now Appropriation Literature amounts to a critical mass that has generated its own tradition. The present anthology is the first to give an international overview of the phenomenon, presenting 126 books and projects by over 90 authors.”
My books Let us go then, you and I, The Man of the Crowd, In this Dark Wood, The Story of a Young Gentleman and “Speak! eyes – En zie! are discussed in the anthology amidst a plethora of interesting projects.
The Photographer’s Playbook came out, published by Aperture. It is a very enjoyable and well executed collection of photography assignments, ideas, projects and anecdotes from a huge variety of artists, edited by Jason Fulford and Gregory Halpern. I contributed a conceptual piece cloaked as an assignment. It is titled ‘The Death of the Photographer’.
I published a short new piece titled ‘A Dialogue’ as a 4-page portfolio in Eikon Magazine. It is based on my earlier book Mood: Potential. The piece uses the hand and eye of the reader to realize itself. It was made by invitation from Regine Ehleiter and Delphine Bedel who discuss ‘The Book as a Work as an Exhibition as a Book’ in a curated section of the magazine. Eikon Magazine, #86, Vienna, 2014. More images through this link.
I just received the Artist’s Book Yearbook 2014-2015 (they are quite ahead of their time). It’s a fantastic resource plus it contains interesting content besides the listings. I’ve contributed an artist page focusing on The Invisible Book. Below is more info about the yearbook.
Essays: A history of Café Royal by Craig Atkinson; Against Orthodoxy: A ramble in the woods of art by John Bently; Field Study International: Celebrating 20 years in the Field by Sue Hartigan; Women’s Studio Workshop: feminist history and birth of an era by Anna Giordano; Bob Brown’s Reading Machine & the Imagined Escape from the Page by Abigail Thomas; Making it happen with Angie Butler by Linda Newington; Stimulus/response – scratching away at some intrinsic and extrinsic problems in theorising the artist’s book from the far end of a ‘not-so-dark continent’ by David Paton; Book Art Object 2: making a book about books by David Jury; The fourth Codex International Book Fair and Symposium by David Jury; Art as collaboration: 50 years of Edition Hansjörg Mayer – An interview with Eleanor Vonne Brown and Gustavo Grandal Montero; Student report: When is a new ‘BookArtObject’ not an Artist’s Book? by Pete Kennedy; A New World: Johannes Häfner’s Digital Picture Books by Reinhard Grüner; Reading the Literary Text as ‘Art in Space’ Barbara Tetenbaum’s “My Ántonia” by Nathalia King; The Typographic Dante by Barrie Tullett; Les Coleman tribute page, Tanya Peixoto.
Artists’ pages: Sara Elgerot, Paul Laidler, Stevie Ronnie, Stephen Spurrier, Elisabeth Tonnard, Sylvia Waltering, Michael Weller, Elizabeth Willow, Philippa Wood.
Cover design: Tom Sowden
Information listings: Artist’s Book Publishers & Presses; Bookshops for artists’ books; Artist’s Book Dealers; Artist’s Book Galleries & Centres; Collections, Libraries & Archives; Artist’s Book Fairs and Events; Book Arts Courses and Workshops; Design, Print & Bind; Print Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies.
Artists’ books listings: Over 190 national and international artists have also listed their recent book works.
Price including postage: £15 (UK) or £16 (International), 21 x 29.7 cm, 296 pages, black and white offset print. The ABYB can be ordered online at: www.bookarts.uwe.ac.uk/bookpub.htm
In order to shed some light on the nebulous history of The Invisible Book, a set of visible postcards was published. From an early discussion about the book in 1654, to Robert Walser’s sterling 1925 review and Diane Simpson’s legendary marathon reading in 1980, discover some of the highlights in the book’s history through this set of six cards. The set is priced at € 5 plus € 1 shipping anywhere and available in my webshop. Or order by email.