Elisabeth Tonnard

Posts Tagged ‘exhibition

The Invisible Book at the National Library plus postcard set news

Copy of The Invisible Book at the Koninklijke Bibliotheek, photo © KB

The Invisible Book has been gathering attention lately, and my postcard set Highlights in the history of The Invisible Book was sold out. I can now announce a new print run has become available, on a new cardstock. The set of six cards in a bellyband is priced at €10 plus shipping and available in my webshop. Or order by email.

The National Library (Koninklijke Bibliotheek) of The Netherlands is currently presenting The Invisible Book as one of the five most remarkable books in their collection. You can find more information (in Dutch) here. On September 26 there will be an evening at the library where all five books are discussed by the curators, find info here.

As a source of discovering many conceptual artists’ books that I hadn’t yet heard of, plus rediscovering works I did know, Moritz Küng’s Blank. Raw. Illegible… Artists’ Books as Statements (1960-2022) (published by Walther Koenig on the occasion of the show I wrote about in my previous post) has been enjoyable. The Invisible Book is also presented in this, and gives one of the chapters its name. For those who read Dutch, there is a good review by Christophe Van Gerrewey in De Witte Raaf.

Written by Elisabeth Tonnard

September 21, 2023 at 4:34 pm

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Blank. Raw. Illegible…

From May 14 to September 3, the Leopold-Hoesch-Museum in Düren shows Blank. Raw. Illegible… Artists’ Books as Statements (1960-2022). Expect a whopping total of 259 books in the show, most of which will be visible to the eye.

Curated by Moritz Küng, the exhibition explores how contemporary artists and artist collectives exploit and activate the conceptual potential of a blank sheet of paper or a book with empty pages for their artistic practice. Starting with an authoritative exploration by artist Herman de Vries of the designation of the color white, the exhibition opens up the diversity of artistic concepts in reflecting on emptiness, purity, and raw material in relation to the formal and functional criteria of books in 15 chapters, the headings of each of which are taken from one of their book titles.

The Invisible Book will be on view in the show, and gives one of the chapters its name. For more information, visit the museum’s website. A catalogue will be published by Walther König (ISBN: 978-3-7533-0463-2).

For those wishing to read up on The Invisible Book, there were recently some new discussions of it: by Gill Partington in the London Review of Books (Vol. 45 No. 4, February 2023), by Annette Gilbert in the quite essential Literature’s Elsewheres (MIT Press, 2022), and by Felipe Cussen in La oficina de la nada (Ediciones Siruela, 2022).

Also

The postcardset of The Invisible Book will be part of Inexistent Books VI, curated by Sveinn Fannar Jóhannsson and Jan Steinbach at Salong in Oslo, May 19 – June 4.

Visible, but also involving blank spaces, the book version of The Man of the Crowd is on view in a small exhibit on Edgar Allan Poe at Centre Céramique in Maastricht right now.

Written by Elisabeth Tonnard

May 8, 2023 at 6:11 pm

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Exhibition at Tartu Art Museum

While I’m traveling through my garden and through books, sitting with birds looking at a glorious sky of fewer airplanes, my work somehow travels out, which at the moment feels quite miraculous. I hope you who read this are also doing well. This is a small update concerning the exhibition ‘Silver Girls. Retouched History of Photography’, in which my print series and artist book The Library will be on view. Curators Šelda Puķīte and Indrek Grigor have managed to put this exhibition about lost, damaged, neglected photographs/visual heritage on with only the slightest of delays. The focus is on a selection of works by ten early women photographers from Estonia and Latvia. These vernacular works are contrasted with the works of three contemporary European artists who contemplate the lost and the neglected in our visual history. More information about the show can be found here.

Works by early women photographers from Latvia and Estonia: Antonija Heniņa, Minna Kaktiņa, Lūcija Alutis-Kreicberga, Emīlija Mergupe, Marta Pļaviņa, Olga Dietze, Helene Fendt, Anna Kukk, Hilja Riet, Lydia Tarem.
Contemporary works by: Nanna Debois Buhl, Sami van Ingen, Elisabeth Tonnard.

Tartu Art Museum
Raekoja plats 18,
Tartu, 51004
Estonia

The exhibition runs from June 12 to September 27.

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Unknown Photographer. A group of women from the Women Member’s Committee of the Latvian Photographic Society during the observation of the solar eclipse, 1914. From the collection of the Latvian Museum of Photography.

Written by Elisabeth Tonnard

June 9, 2020 at 5:40 pm

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Exhibition Walt Whitman’s Words

Song of Myself will be on view in the exhibition ‘Walt Whitman’s Words: Inspiring Artists Today’ at the Center for Book Arts in New York City. The show was curated by Deirdre Lawrence and runs from October 3 to December 14.

More info to be found here on the site of the Center for Book Arts.

2019 is the 200th birthday year of Walt Whitman (1819-1892). In addition to his work as a poet, Whitman is also remembered as a book designer and printer, essayist and journalist. The Center for Book Arts is marking this bi-centennial by looking at how Whitman’s writings have influenced contemporary artists working in the book arts. ‘Walt Whitman’s Words: Inspiring Artists Today’ follows several themes Whitman focused on in his writings, providing the connective tissue that links these works together. Geography, history, identity and immigration are a few themes that emerge from the works of art on view. Whitman’s fascination with Ancient Egypt, photography as a branding tool, and his notion of the world as he imagined it are all evident in the art on view. These diverse objects range from books, drawings, photographs, sketches, broadsides and a scroll.

Artists include: Isabel Baraona, Sasha Chavchavadze, Allen Crawford, Marianne Dages, Brian Dettmer, Daphne Fitzpatrick, Evelyn Eller, Anne Gilman, Donald Glaister, Sam Gordon, Barbara Henry, Meg Hitchcock, Timothy Hull and Paul Mpagi Sepuya, Sam Ita, Stefan Killen, Richard Kostelanetz, Karen Kunc, Sophia Le Fraga, Angela Lorenz, Russell Maret, Barry McCallion, Mark McMurray, Susan Newmark, Ilse Schreiber-Noll, Brian Selznick, Clarissa Sligh, Peter Spagnuolo, Elisabeth Tonnard, Walt Whitman, Rutherford Witthus, Marilyn Zornado.

The Center for Book Arts
28 West 27th St, 3rd Flr
New York, NY 10001

Written by Elisabeth Tonnard

September 30, 2019 at 2:59 pm

The Plan at museum Villa Stuck

Here are some first installation photos of my presentation of The Plan in the exhibition Von Ferne. Bilder zur DDR (From Far Away. Images of the GDR) at Museum Villa Stuck in Munich. The show focuses on art projects that are concerned with the visual legacy, specifically when it comes to photographic images, of the GDR. More information is available here (in German). Thanks to Joachim Schmid for the images below.

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Installation of The Plan. A copy of the Plan in wooden frame, 9 GDR folders containing further copies of the Plan, 24 photographs in vitrine, text in golden letters on wall.

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Vitrine with 24 photographs.

Floor plan

I was asked to develop a concept for the floor plan of the show, relating it to my project. Visitors to the exhibition receive this floor plan when entering the museum, the blank side is stamped then and there. When using the plan, visitors automatically take on poses analogous to the ones shown in The Plan.

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Floor plan.

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A visitor with the floor plan.

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Further study of the floor plan.

Catalogue

The catalogue for the show was published by Walther König Verlag. It is bilingual in German and English and gives a good overview of the wealth of work in the show through artist’s contributions and several essays. Editors: Michael Buhrs and Sabine Schmid.

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Written by Elisabeth Tonnard

June 26, 2019 at 5:08 pm

Exhibition in Munich

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An installation version of The Plan will be on view in the exhibition Von Ferne. Bilder zur DDR which opens on June 5 at Museum Villa Stuck in Munich. The show focuses on art projects that are concerned with the visual legacy, specifically when it comes to photographic images, of the GDR.

More information is available here (in German).

The show is curated by Sabine Schmid. Works by Tina Bara, Sven Johne, Jens Klein, Jürgen Kuttner, Christian Lange, Emanuel Mathias, Katrin Mayer, Simon Menner, Einar Schleef, Christine Schlegel, Joachim Schmid, Erasmus Schröter, Maya Schweizer, Seiichi Furuya, Gabriele Stötzer, Paul Alexander Stolle, Tamami Iinuma, Elisabeth Tonnard, Andreas Trogisch, Joerg Waehner and Ulrich Wüst.

The exhibition runs from June 6 to September 15. The opening is on June 5 at 7 PM. There will be a catalogue published by Walther König Verlag (ISBN 978-3-96098-619-5).

Museum Villa Stuck
Prinzregentenstraße 60
D-81675 München

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May 20, 2019 at 6:43 pm

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Prix Bob Calle, Whitman, etc.

A little late with this post, seeing that the exhibition is already over, but still I am pleased to write that Dr. Lilian Landes of the Bayerische Staatsbibliothek and Dr. Rüdiger Hoyer of the Zentralinstitut für Kunstgeschichte proposed my book An Empty Field for the 2019 edition of the Prix Bob Calle.

The 50 books that were chosen by experts from ten different European countries were shown at the library of the Beaux-Arts de Paris during March. Both the Bayerische Staatsbibliothek and the Zentralinstitut für Kunstgeschichte have substantial holdings of my work that they expanded on recently through new purchases. The Walt Whitman copy of the special edition of Song of Myself was purchased by the BSB, leaving Thoreau’s copy all by himself now, but I hear he doesn’t mind.

Speaking of Whitman, the pocketbook version of Song of Myself is currently on view in the exhibition Writers Making Books at the Spruance Gallery, Arcadia University, Glenside, PA. This show was developed in conjunction with Whitman at 200, a celebration of the bicentennial of Whitman’s birth taking place across the Philadelphia and Camden, NJ region.

Speaking of exhibitions, those of you interested in photo-text works could check out the small online exhibition currently up at the PHmuseum. Mariela Sancari curated this exhibition titled ‘Intertextual’ of photo-based works informed by literature.

Written by Elisabeth Tonnard

April 3, 2019 at 5:23 pm

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Exhibition in Denver

During Denver’s Month of Photography several of my bookworks will be on view at Redline Contemporary Art Center. The exhibition Delirium, Three Visions is curated by George P. Perez, John Lake and Mark Sink. It aims to highlight critical contemporary voices and amplify challenging artists working in and around modes of photography.

George P. Perez:
Micah Danges, Magali Duzant, Clay Hawkley, Letha Wilson.

John Lake:
Yumna Al-Arashi, Brenda Ann Kenneally, Sam Cannon, Colby Deal, Adán De La Garza, Gregory Jones, Jenna Maurice, Kit Ramsey, Eileen Roscina Richardson, Tate Shaw, Hollie Smith, Elisabeth Tonnard.

Mark Sink:
Brian Fouhy, Marja Saleva, Sherry Wiggins, Luís Filipe Branco, Aline Smithson and The Big Picture.

The exhibition runs from March 9 – April 7, 2019. Opening reception on March 9 from 6-9 PM.

Redline Contemporary Art Center
2350 Arapahoe St
Denver, CO 80205

Written by Elisabeth Tonnard

February 13, 2019 at 9:37 am

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What was needed was a piece of pure fantasy.

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Above are some installation photos of The Plan as exhibited at Noorderlicht House of Photography. The exhibition is part of the Week of the Artist Book in Groningen.

On view from October 13 to November 4 at Noorderlicht, Akerkhof 12, Groningen. Open Wednesdays-Sundays from 12.00 to 18.00. Admission is €4,- (€2,- for students).

Written by Elisabeth Tonnard

October 12, 2018 at 5:13 pm

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Week of the Artist Book + symposium

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From October 13 to 20 the ‘Week of the Artist Book’ will take place in Groningen. It is organized by Stichting ARTisBOOK. During the week 25 galeries, museums, bookshops and cultural institutes will celebrate the artist book and its development from the 1960s to now through exhibitions, workshops, talks, signings etc. More information (in Dutch) about the week is available here.

Exhibition at Noorderlicht

As part of this week my work The Plan will be exhibited at Noorderlicht. Noorderlicht will also show work by Wil van Iersel, Jan van der Til, Anouk Kruithof, Carina Hesper en Jan Dirk van der Burg. This show will continue beyond the week, until November 4.

Location: Noorderlicht – Huis van de Fotografie, Akerkhof 12, Groningen.
Hours: Wednesdays-Sundays from 12.00 to 18.00.
Admission is €4,- (€2,- for students). Note: at the ARTisBOOKshop (see below) you can get free entree tickets.

Symposium

On October 19 I’ll be a speaker at the ARTisBOOK symposium. This will take place at the university library of Rijksuniversiteit Groningen. Detailed information is available in this pdf. The symposium is free to attend. Register here before October 12.

Exhibition at Academie Minerva

At Academie Minerva An Empty Field and Enduring Freedom will be shown in the exhibition ‘Provo! Fluxus! Verzet!’ curated by Barthold Boksem.
Location: Praediniussingel 59, Groningen.

Bookshop

During the week several of my titles will be for sale at the ARTisBOOKshop.
Location: Pelsterstraat 27-29, Groningen.
Hours:
Tuesday-Saturday 10.00–18.00
Sunday and Monday 13.00–18.00
Thursday 10.00-20.00

 

Written by Elisabeth Tonnard

October 8, 2018 at 8:40 am

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