Archive for the ‘News’ Category
Geldermalsen Riots in Printed Web #4
A new work titled ‘Geldermalsen riots’, consisting of two images, is published in Printed Web #4, to be launched in Berlin next week. Above is a view of one of the images. The publication has a broadsheet size and is constructed of loose sheets folded into each other. Every participating artist (see below) worked with the two sides of one sheet only.
The background of the piece: On December 16, 2015 there were riots in Geldermalsen, a village in The Netherlands close to where I live. The rioters wanted to disturb a local council meeting where plans for a big center for refugees were discussed. After the riots the police asked people to send in any pictures they might have of this evening. A series of these was placed on the police website. Faces were made partly unrecognizable and an unusual strategy was announced: anyone who recognized themselves could come forward now, or else their pictures would be shown unblurred on tv later. The strategy worked, 9 out of 10 came forward. The pictures are now gone from the website.
Printed Web #4 presents projects by Wolfgang Plöger, Lorna Mills, Molly Soda, Travess Smalley, Angela Genusa, Eva and Franco Mattes, Anouk Kruithof, Elisabeth Tonnard, and Christopher Clary, with a text by Rhizome artistic director Michael Connor (“Folding the Web”). Each artist contributed work that responds to the concept of privacy in relation to contemporary self-identity and public visibility. The 40-page print-on-demand newsprint publication is co-published by Paul Soulellis with the International Center of Photography Museum on the occasion of “Public, Private, Secret” (June 2016 – January 2017), the inaugural exhibition at the museum’s new location at 250 Bowery, organized by curator-in-residence Charlotte Cotton.
Printed Web #4 will launch at Miss Read, Berlin Art Book Fair at Akademie der Künste, Berlin (June 10–12) and be on display at ICP during its opening week (week of June 20).
In the photo archive
In March 2016 I had the opportunity to do a two week research residency together with Joachim Schmid at the Photothek in Florence. The Photothek is part of the Kunsthistorisches Institut, established in 1897. It is a library filled with photographs of artworks and architecture. A short text that we wrote about our stay is available here on the blog Foto-Objekte that aims to explore the scholarly potential of photo archives.
Offprint London
From May 20 to 22 I’ll be participating in Offprint London at Tate Modern. You’ll find me and my books at the table I share with Joachim Schmid.
I have made a pdf catalogue of the books I will bring, with the current prices. You can see it by clicking here.
Tate Modern
May 20-22 2016
Hours:
Friday 6pm-10pm
Saturday 12am – 8pm
Sunday 12am – 6 pm
Free entrance
Discussion of The Invisible Book
Instead of showing itself, it shows “that which allows it to exist”…
Annette Gilbert, quoted above, provides a two-page analysis of The Invisible Book as an institutional object in Publishing as Artistic Practice. The volume, also edited by Gilbert, was recently released by Sternberg Press and contains contributions by Hannes Bajohr, Paul Benzon, K. Antranik Cassem, Bernhard Cella, Annette Gilbert, Hanna Kuusela, Antoine Lefebvre, Matt Longabucco, Alessandro Ludovico, Lucas W. Melkane, Anne Moeglin-Delcroix, Aurélie Noury, Valentina Parisi, Michalis Pichler, Anna-Sophie Springer, Alexander Starre, Nick Thurston, Rachel Valinsky, Eva Weinmayr, Vadim Zakharov.
On a related note, the second edition of The Invisible Book recently sold out. Copies of the first edition are occasionally available through the Ebay auctions that Joachim Schmid puts up (he bought all copies).
If not now, then when?
Dear reader, it appears that yesterday’s posts about my new books were a bit confusing because they mention a public book launch at a future date. Both books, Joachim Schmid Works and The Death of the Poet are as a matter of fact available already. (The real book launches take place at the kitchen table.)
New book: The Death of the Poet
This literary artist book excerpts texts from the biographies of nineteen different poets to fabricate one single, time and space crossing, remarkable story.
B&w digital printing, paperback, size 13 x 19 cm, 48 pages.
Edition of 125 copies, not numbered.
Priced at €24, plus shipping. Available now through my webshop or through email.
See more images on this page.
The book will be launched at Offprint London taking place at Tate Modern from May 20-22. You can find it at the table I am sharing with Joachim Schmid.
New book: Joachim Schmid Works
Thirty-three photographs of Joachim Schmid working on his E-Book.*
Joachim Schmid is well-known for his work with other people’s photographs. It is less known, or even unknown, that he takes the camera to hand himself sometimes. This little book documents just that and thereby provides a so far unseen aspect of Joachim Schmid’s practice. We get a glimpse of the artist’s movements in the age of lcd-screens and in addition to that a portrait of the streets that write to us.
Full color digital printing, sewn paperback, size 10.5 x 15 cm, 44 pages. Edition of 75 copies, not numbered.
Priced at €24, plus shipping. Available now through my webshop or through email.
The book will be launched at Offprint London taking place at Tate Modern from May 20-22. You can find it at the table I am sharing with Joachim.
* E-Book was published in February of 2016 and is based on a letter Joachim wrote to me. The words of this letter remain invisible in his book but every E is included in the form of a photograph. The various E’s, almost 500 of them, were photographed in a number of different cities during 2015. There is no digital version of the book.
Talk in Groningen
On May 12th I’ll give a presentation about my work at GRID Museum for Design in Groningen. It is the third in a series of presentations on artists’ books.
Reservations can be made through Vrijdag.
The talk is from 20.00 to 21.30.
Location:
GRID
Sint Jansstraat 2
9712 JN Groningen
Entree is €7,50 or €5 for students and members of Vrijdag.
Talk in Bremen
On May 4th I’ll give a presentation of my work at the symposium ‘Artists as Independent Publishers’ at the Weserburg museum in Bremen. The symposium is free to attend.
Artists as Independent Publishers is a teaching project, an international cooperation, an exhibition cycle and a symposium aiming to explore tendencies and opportunities in present-day art as well as help actively shape them.
The project was initiated by Katrin von Maltzahn and Anna Lena von Helldorff from the University of the Arts in Bremen and takes place from early 2015 to the end of 2016 in cooperation with four other European art universities – the University of Applied Arts Vienna, Royal College of Art, London, Bergen Academy of Art and Design and the Royal Institute of Art, Stockholm. In this context, all of the partner universities have worked individually on the topics of artists’ books and “publishing as artistic practice”.
As of May 2016 the project will lead to joint exhibitions in Bremen, Bergen, Vienna, Stockholm and London, kicked off by a symposium as well as an exhibition in collaboration with the Centre for Artists’ Publications in the Museum Weserburg in Bremen.
The exhibition will be opened on 3 May, at 7 pm, showing the works and projects of the participating countries. Simultaneously, various guests will discuss the subject of publishing from a contemporary perspective during a public symposium.
Symposium:
Thuesday May 3rd 2016, 13:30 – 18:00
Wednesday May 4th 2016 , 10:00 – 13:00
Contributions by:
Vanessa Adler, Berlin (publisher / argobooks Berlin)
Burkhard Beschow / Anne Fellner / Julian Irlinger, Berlin + Frankfurt a. M (artists)
Bernhard Cella, Wien (artist, curator)
Dominique Hurth, Berlin (artist)
Christoph Ruckhäberle, Leipzig (artist, publisher / Lubok Leipzig)
Elisabeth Tonnard, Leerdam/NL (artist, poet)
Exhibition at the Koninklijke Bibliotheek
The Invisible Book is currently on view in the exhibition ‘Topstukken’ at the National Library of The Netherlands in The Hague. Read curator Paul van Capelleveen’s blog post about the book here (in Dutch).
Elisabeth Tonnard 